WHORE AND THE GIANT

Original 9 3/4 inch x 7 3/4 inch Engraving THE WHORE AND THE GIANT.

An allegory of medieval Christian history – a chariot sprouts seven monstrous heads (like the beast of the apocalypse), three at the front with oxen horns and four single-horned creatures at the corners; then, seated in the chariot appears a loosely clad prostitute (the corrupt papacy) who lasciviously embraces a giant standing next to her (the French monarchy).

Text below the image: ”At her side, as ‘twere that none might bear her off, I saw a giant stand; and ever and anon they mingled kisses.” Canto XXXII., lines 148-151.

Engraved by Adolphe François Pannemaker (1822 – 1900). Wood engraver. Graduate of Ecole Royale in Brussels. He went to Paris and worked there for more than 30 years, especially as book illustrator, often working with his son and pupil, Stéphane Pannemaker (1847-1930), especially on reproductions of Gustave Doré’s book illlustrations.

Illustration by Gustave Doré (1832 – 1883). The most popular and successful French book illustrator of the middle of the 19th century. Doré became widely known for his illustrations to such books as Danté’s Inferno (1861), Don Quixote (1862), and the Bible (1866), and he helped to give European currency to the illustrated book of large format. He was so prolific that at one time he employed more than forty wood engravers. His work is characterized by an eclectic mix of Michelangelesque nudes, northern traditions of sublime landscape, and a highly spirited love of the grotesque and bizarre.

Doré began work on his illustrations for the Divine Comedy in 1855 at a time when there was a renewed interest in Dante in France. Doré himself financed the publication of the Inferno in 1861 and this was so successful that the Purgatory and Paradise were published by Hachette in 1868 as a single volume. Subsequently, Doré’s Dante illustrations appeared in roughly 200 editions in many languages.

Illustration for Dante Alighieri’s “The Divine Comedy” widely considered to be the preeminent work in Italian literature and one of the greatest works of world literature. It is divided into three parts: Inferno, Purgatorio, and Paradiso. This illustration is from Purgatorio.

Published as a part work by Cassell and Company, Limited, London. May 1903 – September 1904.

Page size 13 1/4 inch x 10 inch

The engraving, on fairly thick paper, is in very good condition. Reverse side blank.